The santoor is a trapezoid-shaped musical instrument.
Santoor is usually made of walnut, with numerous strings and is said to
be related to the shata-tantri veena of earlier times. A lightweight
wooden hammer, used to play the santoor/ santur, is known as Mezrab. To
play the Santoor, these mallets (mezrab) are held between the index and
middle fingers. A typical santoor has two sets of bridges, providing a
range of three octaves.
In India, the credit of popularizing santoor goes to Pandit Shiv Kumar
Sharma. It is interesting to note that the Kashmiri santoor is more
rectangular and usually has more strings than the original Persian
Santoor. In Kashmiri classical music the Santoor is played with a pair
of curved mallets, which are made of walnut wood and the produced melody
resembles that of the harp, harpsichord or piano. The sound chamber of
the Santoor is also made of walnut wood while the bridges are made using
local wood. The strings, another important part of Santoor, are made of
imported steel.
Prominent exponents of santoor in the twentieth century include Pandit
Shiv Kumar Sharma and Pandit Bhajan Sopori. Some other distinguished
Santoor players of the contemporary generation include Abhay Rustum
Sopori and Rahul Sharma. Other notable Santoor players of India are
Roshan Ali, Harjinderpal Singh and Kiranpal Singh Deoora, Saurav
Chatterjee, Kakan Ghosal, Versha Aggarwal, Rajkumar Majumdar, Charukeshi
Shahane, Gulfam Sabri, Sandip Chatterjee and Bipul Ray.




